{"id":18363,"date":"2025-09-12T12:42:10","date_gmt":"2025-09-12T10:42:10","guid":{"rendered":"https:\/\/filmfest-frauenwelten.de\/?p=18363"},"modified":"2025-10-29T10:47:39","modified_gmt":"2025-10-29T09:47:39","slug":"molaade-retro","status":"publish","type":"post","link":"https:\/\/filmfest-frauenwelten.de\/en\/2025\/09\/12\/molaade-retro\/","title":{"rendered":"MOLAAD\u00c9 (Retro)"},"content":{"rendered":"\t\t
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Ousmane Semb\u00e8ne, Burkina Faso \/ Cameroon \/ Morocco \/ Senegal \/ Tunisia, 2004, 120 min., feature film, Bambara, French with English subtitles<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Four girls fleeing female genital mutilation seek refuge with the strong-willed Coll\u00e9, who invokes the magical \u00bbMoolaad\u00e9\u00ab tradition to protect them.<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\tOusmane Semb\u00e8ne (director)\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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Sembene Ousmane was born in Ziguinchor, Senegal, in 1923. In 1942, he was drafted into the French colonial army's Tirailleurs s\u00e9n\u00e9galais, and in 1946, he fled illegally to France. There, he worked odd jobs (mechanic, dock worker, bricklayer, etc.). In the mid-1950s, he began writing, his first passion. LE DOCKER NOIR was his first novel. In 1960, he published his beautiful book LES BOUTS DE BOIS DE DIEU. Sembene became interested in cinema. He thought about an approach that would appeal to everyone; Illa defines it as \u201cpolitical, polemical, and popular.\u201d At the age of 38, he studied film at the Gorky Studio in Moscow and learned to become a director under Donskoi and Serguei Guerassimov. In 1962, he made his first short film, BOROM SARRET (Le Bonhommecharrette). In 1964, he made his second short film, NIAYE, which won an award at the Locarno Film Festival. In 1966, he made LA NOIRE DE..., which was also the continent's first \u201cNegro-African\u201d feature film. This was followed by numerous films that bear witness to contemporary African society, including LE MANDAT, XALA, CEEDO, CAMP DE THIAROYE, and GUELWAAR, all of which won awards at numerous festivals. In 1999, he paid tribute to African women with FAAT KIN\u00c9, the first part of his triptych \u201cH\u00c9RO\u00cfSME AU QUOTIDIEN\u201d; MOOLAAD\u00c9 is the second part. The third part, LA CONFR\u00c9RIE DES RATS, is currently in development.<\/strong><\/h5>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t\t\n\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tickets: Sun, Nov. 2, 6:15 p.m.<\/a>
in the presence of: Susanna Keim (expert), Cl\u00e9ment Drabo (expert)<\/a><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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MOLAADEE celebrated its world premiere at the Cannes International Film Festival and was subsequently screened at festivals such as the Toronto International Film Festival (TIFF), the San Sebastian International Film Festival, the BFI London Film Festival, and the Chicago International Film Festival. In Cannes, the film received the Un Certain Regard Award and a Special Mention from the Ecumenical Jury. It was also nominated for the Screen International Award (for a non-European film) at the European Film Awards and the Gold Hugo (Best Feature) at the Chicago International Film Festival.<\/h5>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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➞ more films<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Four girls fleeing female genital mutilation seek refuge with the strong-willed Coll\u00e9, who invokes the magical \u00bbMoolaad\u00e9\u00ab tradition to protect 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